Medieval and Renaissance Drama in England: Volume 21Edited by S.P. Cerasano
About the Editor: S. P. Cerasano is the Edgar W. B. Fairchild Professor of Literature at Colgate University. She is currently working on a book about Philip Henslowe and editing Edward Alleyn’s diary (1617-1623) for Oxford University Press.
Volume 21 of Medieval and Renaissance Drama in England, presented here, reflects diverse scholarly interests, ranging from the presence and influence of Africans in Elizabethean London, to the performances of plays in chapels to the theory and practice of domestic tragedy. Additionally, the reader will find essays on historical and theoretical issues relating to the evolution of dramatic texts, playhouse audiences, and some key illustrations depicting troupes of traveling players in Germany. An extended review essay probes current scholarly interests in the year 1599. Nineteen reviews complete the volume. Contents ISBN: 978-0-8386-4180-4 About FDU Press New Releases Features Publications by Topic Recent Book Reviews Book Reviews by Topic Submission Guidelines
Articles
The Presence of Africans in Elizabethean England and the Performance of Titus Andronicus at Burley-on-the-Hill, 1595/96
Gustav Ungerer
“The Sanctuarie is become a plaiers stage”
Jeanne H. McCarthy
Begging at the Gate
Stephen Schillinger
Foul Papers, Promptbooks, and Thomas Heywood’s The Captives
James Purkis
Women and Crowds at the Theater
Andrew Gurr and Karoline Szatek
“Follow the Money”
Peter Berek
Notes and Documents
An Illustration of Traveling Players in Franz Hartmann’s Early Modern Album amicorum
June Schlueter
Review Essay
Perspectives on Shakespeare and 1599
William B. Long
Reviews
Robert A. Logan, Shakespeare’s Marlowe
Charles R. Forker
Andrew Hadfield, Shakespeare and Republicanism
Graham Hammill
Julie Crawford, Marvelous Protestantism
Grace Tiffany
Donna B. Hamilton, Anthony Munday and the Catholics, 1560-1633
John D. Cox
Ton Honselaars, Shakespeare’s History Plays
Brian Walsh
Zachary Lesser, Renaissance Drama and the Politics of Publication
Richard Preiss
Garrett A. Sullivan, Jr., Memory and Forgetting in English Renaissance Drama
Anthony B. Dawson
Peter Holland, ed., Shakespeare, Memory, and Performance
R. A. Foakes
Deborah G. Burks, Horrid Spectacle
Emily Detmer-Goebel
Alexander Leggatt, Shakespeare’s Tragedies
Raphael Falco
Philip Butterworth, Magic on the Early English Stage
Marina Favila
Lukas Erne and Margaret Jane Kidnie, eds., Textual Performances
Brian Walsh
Henry S. Turner, The English Renaissance Stage
David Glimp
Edward L. Rocklin, Performance Approaches to Teaching Shakespeare
Sharon A. Beehler
Sarah Hatchuel, Shakespeare, from Stage to Screen
Douglas M. Lanier
Katharine Goodland, Female Mourning and Tragedy in Medieval and Renaissance Drama
Katie Normington
Pamela Allen Brown and Peter Parolin, eds., Women Players in England, 1500-1600
Sheila T. Cavanaugh
Melissa D. Aaron, Global Economics
Nora Johnson
Edward Gieskes, Representing the Professions
Rebecca Lemon
Ivan Cañadas, Public Theatre in Golden Age Madrid and Tudor-Stuart London
Olga Valbuena
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