Shakespeare's Sonnets: With Three Hundred Years of Commentary
Edited by Carl D. Atkins

About the Editor:
Carl D. Atkins first developed a passion for Shakespeare's Sonnets as an undergraduate at Sarah Lawrence College. After graduating Phi Beta Kappa from the Massachusetts Institute of Technology, he obtained his medical degree from Tufts University and trained at Montefiore Medical Center and Memorial Sloan-Kettering Cancer Center. He has been a practicing medical oncologist in Rockville Centre, New York for more than twenty years, where he live with his wife and son. Throughout his career as a physician, Dr. Atkins has maintained his love for Shakespeare, especially his sonnets, and brings to this book a devotion to meticulous scholarship. He has previously published two articles on The Sonnets, both in the respected literary journal Studies in Philology.

This is the first edition of Shakespeare’s Sonnets in over sixty years to bring together the commentary of various scholars. Atkins is the first to collate the seventeen scholarly editions of The Sonnets published since Rollins’s New Variorum of 1944 so that substantive differences among them can be fully appreciated and compared. He has culled the most important commentary and emendations of Shakespeare’s editors from Gildon (1710) to Mowat and Werstine (2004). The discussion of meter and verse is more substantial than can be found in any other edition, a feature that adds particular dimension to this text.

Since the last variorum edition, the study of The Sonnets has advanced significantly so that the issues discussed are freshly relevant. Each of the modern editions newly collated in this book has had a different approach. With few exceptions, however, previous commentary is given short shrift in each successive edition so that the reader of any one edition obtains only a small glimpse of the range of thought available on The Sonnets. This edition gives access in one volume to all the commentary, modern and time-honored, with which to interpret and appreciate these glorious poems. Atkins synthesizes this work and brings his own perspective and freshness to the field, adding to the long tradition of quality scholarship in Shakespeare studies.

Each sonnet is presented exactly as printed in 1609. The original spelling and punctuation are maintained, the latter being an important guide to meaning and rhythm that is too often destroyed by modernizing editors. Textual notes documenting the emendations recommended by modern editors follow the text. Atkins includes his own conservative recommendations in his notes, the first editor to base decisions about emendations on bibliographic principles, using our knowledge of printing methods in Shakespeare’s day to determine the likelihood of particular printing errors. Glosses of difficult words and phrases follow, mostly chosen from among Shakespeare’s editors for their clarity and conciseness, as well as some original to this edition. The commentary accompanying each of the sonnets has the simple goal of finding out how they work and how they may be interpreted, focusing on the appreciation and enjoyment of these poems. The commentary is thoroughly researched and rigorously conceived, but avoids literary jargon.

This book is intended for all readers interested in The Sonnets, and will appeal to all those who desire nothing more than to enjoy Shakespeare’s greatest poetry. Those coming to The Sonnets for the first time and those seeking a fresh look at an old friend will equally find this edition eminently rewarding and a pleasure to read.

To allow the reader to appreciate The Sonnets as Shakespeare intended, the author has prepared online a conservatively emended version of the text, preserving the original spelling and punctuation as much as possible. Reference to the online version will allow the reader to comprehend more easily the impact of the emendations suggested in the book. The online text may be found at Sonnets 1609

ISBN 978-0-8386-4163-7

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