About FDU Press

Duerden presents both an analytical overview of the ballets Tudor created for the stage and an in-depth analysis of four ballets: Jardin aux Lilas (1936), Dark Elegies (1937), Pillar of Fire (1942), and The Leaves Are Fading (1975). From a choreographic standpoint, Tudor’s ballets involve a psychological human dimension, and the choreographer demonstrates his best work in relating choreography and music. Duerden draws on theories of dance and performance analysis (Adshead, Foster, and others), aesthetics and art philosophy (Redfern, Margolis, et al.), and the semiotics of music (Maconie, McClary, et al.). Her methodology is rooted in aesthetics, but she takes notice of developments in poststructural thought, with reference to issues of gender and subjectivity. In part 1, she discusses issues relating to characteristics of Tudor’s style, as demonstrated in his various choices of movement material, theme, music, etc. Part 2 comprises intense analyses of the ballets, which represent key aspects of the choreographer’s style. Summing Up: Recommended. Collections supporting study of choreography at the graduate level and above.

L.K. Rosenberg, Miami University
Choice, October 2004