Both individually and collectively, these works allow the reader to experience the atmosphere and environment of Naples, Italy before and after World War II. At the same time, the plays offer the reader startling glimpses into unforgettable lives and situations – glimpses that record De Filippo’s favorite themes with marvelous clarity. These themes include: an authentic Neapolitan setting, the dynamic of a Neapolitan family, and the persona of a Neapolitan family, and the persona of a Neapolitan commedia figure.

In this collection of De Filippo’s infamous Italian plays, readers witness the playwright’s uncanny ability to mix comic and tragic elements simultaneously. In “Philosophically Speaking,” romantic courtship prevails despite poverty and infirmity. “Gennareniello” illustrates the opposition of a tired marriage and the temptation of youthful flirtation. A government clerk happens upon the demolition of his childhood home in “So Long, Fifth Floor.” “The Part of Hamlet” describes an old actor’s fantasy of performing a major role once again. And in “Dead People Aren’t Scary,” a tried salesman learns that his room has been used for the wake of his deceased landlord.

De Filippo’s one-acts are a gift to theater scholars and practitioners alike. There are hidden blueprints to be discovered in these plays – of character, plot, and theme – that anticipate his longer and more celebrated works.

The reaction of one American actor, after performing in a staged reading of “Gennareniello,” applies to the other plays as well.

The reaction of American actor, after performing in a staged reading of “Gennareniello,” applies to the other plays as well.

He said, “The play reveals itself through many layers. It is an actor’s dream…the deeper meanings and suggestions flow out with each new encounter with the work.”

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